Thursday, 23 May 2013

- HIGHER EDUCATION -

For my person and professional practice I took part in a film by one of the third years on my course Bill Clay. His project 'Higher Education' was a short film about 3 students arriving for university and their first day not going as planned.

I found out about this project through a friend and I was up for helping with filming anything but because it was essentially about someone my age in Leeds so it was definitely very relatable and this made it much easier to get into. The story outlined 'Tom' going off to uni and finding it much different to how he envisioned. Lots of things go wrong and there are many funny moments in a well written and directed script.

My job was mainly the 'Sound Guy' which involved using the recorded or holding the boom mic. Doesn't sound massively exciting, but it really was. I loved the film set atmosphere and talking about how we could develop it more and shot ideas. Everyone listened to everyones opinions and ideas which made it a good friendly atmosphere.
Filming at 'Hyde Park Corner'
 The first shoot was at hyde park corner by the statue. This was the scene where the boys have just got kicked out of their halls and are wandering through town and sit on the statue to figure out what to do. For some stupid reason I assume we would be filming the scenes in order but this was about half way through the film. This was a very, very windy day and the use of the fluffy thingy on the boom mic was  needed to cut out the wind.  We also only had one camera which meant we had to do about 30 takes. 
            It was a pretty long shoot and very chilly, but still really fun. The main thing I learnt from the first shoot was that everything always takes longer than you think it will, and planning for this can help no end. If theres lots of camera angle in your film you need to have an extra camera. It would have halved the time we were there. Nothing against Billy's planning im sure he would have liked an extra camera as well. 

The overcast weather made continuity easier
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Despite the cold and wind the overcast day did make it easier to keep continuity with time of day. If there had been bring sunlight, if it had taken a long time to do, the angle of the shadows on the ground could be noticeable on the footage which would have ruined it. 


The next scene was filmed behind some halls in a car park. In addition too 'Tom' 'Jules' and 'Hugo' were the two boys Tom identifies with at the party at the beginning. This is the scene where the boys go outside for a smoke then during this someone spikes the punch with drugs. This scene is just the boys smoking and talking under a street lamp in the cold. This was a fairly simple scene to film but the rubbish light levels and yellow glow from the street lamp. So we required the use of reflectors to re-direct the light towards the actors faces. This did take a while because of the continuity issues. The boys only planned to go out for a bit but stayed outside for while chatting, smoking and drinking. This resulted in a lot of beer cans on the floor that had to be in the same place for each scene.  

Free beers were a nice touch

 A cold shoot


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The next scene was a bit of an ambitious one to begin with. The initial idea was to have Jules (above, middle) get hit by a flying milkshake from a car window. This was ambitious as we would probably only have one chance due to the nature of the scene. But like all things, the scene needed to adapt to the capabilities and resources that we currently had. Its not like we didnt have a car or milkshake we just thought it would be too difficult to get right first time, and it needed to be first, because, 'Jules' (Mark) didnt want to be drenched in milkshake more than needed and the act of throwing something out of a car window is much more difficult than you think. Usually when you throw you are outside and you have plenty of room to move your arm. and light to see what you're throwing at. This is much more difficult because its cramped and theres not as much light. Also trying to throw a milkshake, accurately and have this all caught on camera and reacted to properly bought us to the conclusion that it wasn't worth the effort.

Where we stored our gear.
For this shoot we had to store some of out stuff in this cafe called Zizou. This taught me a lot about how on shoot we sometimes encounter difficulties and have to rely on the buildings and people around us in the local area for support. This is also how budgets can be overspent, we didn't have one, but it made me think about extra un expected expenditure.


The car in question.

Its unfortunate that the car scene wasn't used but it was probably for the best because of how many things could have gone wrong, and it would have involved many a trip McDonalds for more milkshake. The scene was then bought down to someone on BMX throwing it but this was dismissed as a bad idea as just as many things could go wrong. 
          The scene we were then going to be filming was the one where the boys have just got kicked out of halls by the boss man and are on the side of the road wondering what to do. Hugo is left with the bags while Tom and Jules go and try to get a house viewing at the estate agents down the road. The catastrophe which then ensues is that whilst Hugo is minding his own business and watching the bags, a child comes at starts talking to him about call of duty. Whilst Hugo is distracted another boy steals a few of the bags. The first boy then leaves and then Tom and Jules come back and shout at Hugo for losing the bags, which contains all their money and stuff.

Filming outside a garage.





 This shoot went well but it took a while to get the acting right mainly from the boy who Hugo talked to about call of duty. He wasn't an actor so I didnt blame him but it did make the shoot longer. Continuity was an issue with placement of the bags and bags that were at the statue. We also needed to make sure that the bags that were 'nicked' were not then later seen at the statue.

A problem I have noticed throughout this is the transportation of the kit, which was difficult with only one car. It might have been better to sort taxis for it but as there was no budget it would have had to have come out of Bill's money. 

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APEX homes were nice enough to let us borrow
their office for a while


The next scene was filmed in a student letting offices office. Apex homes were nice enough to let us film there which made me think that this was very fortunate. They could have easily said no and we couldn't have said anything. In these situations where there is a possibility of 'NO' there should be an alternative back up scene to use just in case one is impossible for whatever reason.

It was a pretty cramped office with all the kit



The 'student housing officer' was played by Bill's step dad.
 This scene shows the boys being bollocked by the housing officer for spiking the punch, despite the fact it wasn't them. The housing officer is having none of it and kicks them out of halls. In this scene on another sofa lies Alister. Now obviously it would be easier to know who this guy was if you had read the script in order, but essentially hes the 'student rep' and a bit of a twat. Hes the ex teachers pet kinda guy from school, and as a result of the spiked punch he is throwing his guts up next on the sofa next to the boys.

For the puke we had to use cold soup. Allister, played by Hugh,  put the soup in his mouth before the take and then when the housing officer says ''Look what you've done to my little helper!' to which he then chucks up in the bin to the disgust of the boys.


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Getting a party atmosphere going.

Lots of different filters needed to mask the ugliness of halls

Art Direction was important again, especially for the 'weird' party



The above images were from the 'party' scene and as a result the boys are kicked out of halls. This was the most stressful scene by far due to planning and timing. We were supposed to finish by 10 but didn't get away till 2 because of how long it took to set up everything and then film a party which isn't as much fun as an actual party, but this was to be expected. It was filmed at one of Billy's mates halls, and his mates were nice enough to let us use their kitchen 
          It wasn't so much that we finished late its just we didn't know when we were finishing which was annoying but I could appreciate how long these things take to get perfect. However despite the fact it took almost twice as long as planned it looked awesome. We had a really good tracking fish eye shot going down the corridor capturing 'weird' looking people and drunk people. The weirdness of the party is a product of the punch being spiked with drugs. So all the crazy lights and fish eye shots are supposed to represent the difference between when they went down and when they came back up. 
          


filming at the 

making the house look more lived in.

The Mannequin Maniac.


This scene involved the boys going to a house viewing with the 'Mannequin Maniac'. The scene was filmed in an empty house Billy got permission to film in. This meant the house was pretty bare so we had to put up some posters and add things like food, bottles, cans and wrappers to make the house look like it was lived in. This was a pretty simple scene to film as there wasn't much disturbance as it was inside but as the 'Mannequin Maniac' (played by the assistant director and writer, Sam) was really funny, the other actors found it very hard not too burst into laughter.

The Mannequin Maniac has his name because of the blow up sex doll, named Martin, which he thinks is his roommate. There is a shot where Martin is sitting on a chair with a banana in his mouth to which the boys see and make a hasty exit.

This could have been considered annoying but this was what I was expecting a film set to be like. Which made me even more sure that this was what I wanted to do. The atmosphere was really good and as everyone got a long there was no clashes of ego's to put strain on the project.


more homely touches.

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The final scene we filmed. It takes places in another of Billy's friends houses and this is the one where they're explaining to 'Samantha' (above, left) about what they've been through with the 'Maniac'. Jules and Tom are explaining their situation when suddenly Hugo bursts in and says the bags have been nicked. This scene takes place directly after the scene withe Hugo and the bags. The estate agents they went to find turned into a house viewing with this nice girl Sam. 

This scene was really easy to film with little to no hiccups. It was late and we were all tired from the filming in the previous week, but we all did our jobs well and wrapped it up quickly. 

Filming 'Higher Education' was a massive amount of fun and everything I expected from working on a film set. I enjoyed the atmosphere especially as we all worked really well together as a team and listened to each others ideas and thoughts about the current scene. The people I worked with were all really nice, friendly and professional which was definitely an added bonus to the whole atmosphere of the set. None of us were being paid either which was massively encouraging to me as everyone was still professional and punctual without that financial gain. Which just proved the integrity of us all that we liked doing what we do, regardless of financial incentives or benefits. 





Wednesday, 22 May 2013

///What I, Could've and Would've done better.



Despite the results that I acquired I still think that there are elements I should have included in the film that were possibly overlooked for whatever reason.  Elements such as hydrophobic sand, a bigger tank, more variety of colours and models and other things.


There might also be a place for re designing the process to a certain extent. If I had (a lot) of olive oil/any oil really. I could make a third layer to mess with. Salt water on the bottom, then fresh and oil on top. I would have to make all the layers fairly even to get some good shots. The yellow of the the oil could be an issue but I can change that with colour correction and/or trying to mx oil based paint with the oil to create some different colours.
          It would also be really interesting to see how the materials I shot into the tank would react when shot into oil, and when they finally penetrated through to the water layer what will they bring with it. I could also use motor oil instead of cooking oil as the rainbow colours you see on the pavement after an oil leak. This could potentially look amazing as long as it was lit correctly.

Some of the shots are a bit wobbly so I need to invest or borrow a new tripod next time as it is really noticeable, especially with the macro shots. 

Tuesday, 21 May 2013

///The Final Product

After completing both videos I decided to take some screen shots to illustrate this. I would upload the videos but they're very large so I'll wait and put them on youtube after the deadline. However here are some screen grabs.










I think the final results were really good and better than expected from my point of view. However looking back I would have liked to have made/used some hydrophobic sand and manipulated it to create much larger and more detailed landscapes.

I would also have liked to used a greater variety of lens to get more shots. Such as the tiltshift, but god knows where I'd find one. I would also have liked to use the High-Speed camera to film some more destructive shots. like throwing stones into the hydrophobic sand and filming the explosions of sand and colour. 

In terms of music I think my choices were good but next time I would like to use some songs from Primal Scream's 'Screamadelica'. A lot of their tracks are instrumental for large portions of them so it would be ideal as backing music. 
     Another, better, choice, would be to find a composer to write music for it or to do it myself. This would add an air of originality and would be tailored perfectly to the video.

///Editing


When I came to start editing the footage I first started by going through it all meticulously to weed out the rubbish clips before I took them into final cut. I noticed that a lot of the macro clips had bad shuddering at the beginning and ends, in places. This was because of lens being so sensitive when you are looking at something that small in that much detail.




The clips from the side tank shoots needed to be colour graded as the clips looked really washed out and desaturated. I started messing with the (very basic) colour correction tool on Final Cut X. Changing the exposure had the best effect as it made the models more into silhouettes which I thought worked really well on the psychedelic background. I also started layering some of the clips to create more depth in the video.

I should also mention that when I was going through the vast amount of clips, I decided that there was too much  footage here for just one video. The clips I had taken of the surface of the tank I edited together separately. This was definitely the right decision as otherwise all of the footage I had taken would have been wasted. 

For the music I had been toying with a few 'Massive Attack' songs but when it came to edit the singing in parts of the songs didn't agree with the video. So what I decided to do was combine a couple of their songs, to create a soundtrack better suited to the video. 


///Heat Miser. I used about 1:30 of this song to come in after the singing came in for better things

  

///Better Things. I only used the first 50 seconds or so of this but this was because the singing started and it didn't go with the video.







The above image is from the editing of the surface shots. The surface shots probably wouldn't have integrated well with the side shots anyway, so it was best to do two videos. For the song I decided to go with Three Seed by the Silversun Pickups. A really beautiful song with some intricate melodies and a really mellow build up. Despite the fact there is singing in the song I think it works well with the video and I have tried to time the cutting to certain points in the song where the rhythm changes.


///Three Seed








Saturday, 18 May 2013

///Music for the Video #2



As well as the smooth riffs of Massive Attack I also looked at a couple of other sounds which could fit the bill as well. Again these are not necessarily all of the songs but parts of them which I think sound particularly alien or awesome.




First I looked at 'Tame Impala's' - 'Be Above It'

First time I heard this band i thought 'Psychedelic Beatles' and to this day I still think this. Due to this I thought the amazing and innovative sound design in this song could work really well with some of the
events which occur in the tank.


BE ABOVE IT///



Next I looked at one of my favourite bands at the moment. Silversun Pickups. Very reminiscent of the Smashing Pumpkins but with more about them. The songs 'Three Seed' and 'Sci-Fi Lullaby' were particularly fitting. Three seed because it has an awesome intro and amazing guitar riff at two or three intervals. Sci-Fi lullaby's intro is really eerie and alien-esque so i thought that could be manipulated to fit the videos.

THREE SEED///



SCI-FI LULLABY///






///Music for the Video



Obviously because all of the sound that I recorded mainly consisted of me whining about how something wasn't working and the music we had in the background, and because thats not very good sound design I decided to do some research into some music that would sound good.



The first band I looked at was 'Massive Attack'. They have a multitude of weird and funky sounds backed with some great singers and a depth and innovation that is lost in a lot of todays music. Massive Attack's strong melodies and interesting beats made them perfect choice of the sound track, 

I was mainly interested in their album, Protection (1994). A lot of the songs are very atmosphere punctuated with smooth melodies and guitar riffs. The weird sounds they employ will be perfect for the weird things going on in the fish tank i'm filming.

WEATHER STORM///





HEAT MISER///





BETTER THINGS///





PROTECTION///




The songs above are my favourites for the soundtrack so far. However its not always the entire song that I want. There are plenty of parts of these songs which wouldn't work with the tank, if the beats too fast or the track is too complicated then it wouldn't fit with the smooth tranquil flow of the water in the tank. 







Friday, 17 May 2013

///Macro Lens & Final tank Shoot.




My decision to use the macro lens had come before I had even had the idea for the responsive brief. When I was doing the cloud tank the first couple of times I realised how much more you could see if you made all the patterns and shapes the liquids made in the water bigger with this kind of lens.

I had used a macro lens previously to this so I picked up how to use it quite quickly even though there were things to remember. The lens was extremely heavy so it needed a metal support. It was so heavy that the metal support need to be attached directly to the tripod otherwise the weight of the lens would have broken the camera. This meant I had to be very careful whenever I used the lens. The fact it costs about £1,800 was unsettling as well.

The macro lens does the exact opposite of a microscope, essentially. It makes very small things look much bigger (micro/macro) and this was a massive help in the cloud tank. The lens allowed me to observe my experiments at a much smaller, yet bigger, scale.

I got some really good shots of the tank with the lens and there is a noticeable difference in lens type which is exactly what I wanted.

These are some of the stills from the final shoot. I would have put up clips but seeing as they're pretty uninteresting on their own so I thought stills would be more appropriate.


The way the oil looks here looks almost like lilypads



This lilypad effect could be used to show the surface of an alien lake/sea



this almost looks like a plant cell. Which makes me think that the cloud
tanks could be very useful in filming things at a 'cellular'
level.



I love the way the greens and reds mix and flow and react to the oil 



This could easily be used for blood splattering but on a very small scale 



The individual beads of oil caught the light well and as a result have a
really nice and defined shadow on their lower side which really
makes the stand out.



Some sort of pink ocean ? I dunno,



A bigger tank would obviously be better as the oil would have more room to move

The video footage I got was as good if not better than these stills and im looking forward to editing it all together. What I need to do now is find an appropriate soundtrack for the film and i'm going to be doing research into that in my next post.



Wednesday, 15 May 2013

///Second Tank Shoot.



These are some stills from the second tank shoot. This time I used a different background to add some variety to the alien worlds. The models used here are completely different to the ones used before. I thought a fresh batch of models would be better than reusing some old ones. 

I also decided to create a 'landmass' for the models to stand in. The landmass wasn't a massive success because you couldn't see most of it. But it provided a stable base and a island like silhouette.




Even though this is about the models I did get some cloud footage which I will be using in the film anyway. I thought i needed some cloud footage to splice up the film, rather than just have model shots. 







The colour and patterns you can create with the cloud tank is visually stunning. I did these cloud shots so I can use the mirror tool 2 ways, or 4 ways to create some intermitting visuals to cut to. This will add more variety in shots to the final video.